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Your Body – to – Ableton Live Interfaces, with Max for Live, Kinect

Perhaps you’ve seen the demo videos, as people do astounding things by moving their body around and using the Kinect camera to make music. Now, a set of Max for Live devices makes it reasonably easy to access your body as input inside Ableton Live. FaceOSC Mapper Pictured at top, this builds on Kinect superstar … Continue →

Max 6 Arrives; Pricing Details, Use with Max for Live

Max 6, showing the new Gen tools for low-level sound creation. Courtesy Cycling ’74. Cycling ’74′s Max 6 is now available. See our previous previews: For Home-brewing Music Tools Graphically, Perhaps the Biggest Single Update Yet [Create Digital Music] In Max 6, Big Banner 3D + Animation Features for Jitter, Alongside Usability Improvements [Create Digital … Continue →

Csound For Live: Powerful Sound Creation in Ableton, With or Without Any Coding

With great power comes great learning curves – or maybe not. Csound for Live, just announced this weekend and shipping on Tuesday, brings one of the great sound design tools into the Ableton Live environment. You can use it without any actual knowledge of Csound, without a single line of code — or, for those … Continue →

Turntable Meets Cello, Sax, Laptop: How Archie Pelago Uses The Bridge and Ableton Live

With laidback, exotic grooves and richly-coordinated interlaced cello, saxophone, turntable, and electronics, Archie Pelago’s music relies on some serious technological savvy. To be sure, all you really need to play instruments and computers and turntables together is to get into a room and start jamming. But to realize their specific musical vision, the trio of … Continue →

Six Months of Free Ableton Racks, Six Favorites from the Creator

An Ableton rig with a dramatically-lit Novation Launchpad grid controller. Photo (CC-BY-SA) alexwire. Ableton Live fans hungry for sounds, what a good half-year it’s been. AfroDJMac alone has been busy putting together delicious-sounding, versatile racks of virtual Ableton-ready gear. After six months of contributing free downloads and videos – and discovering the use of this … Continue →

Novation’s New MIDI Keyboards: Automap, Aftertouch, Ableton Pads

Novation has unveiled their newest product, a line of USB MIDI keyboards called Impulse. Shipping in September, they’ll run street/dealer prices of US$249.99 for the 25-key, $349.99 for 49 keys, and $399.99 for 61 keys. This pits Novation squarely against some similar MIDI keyboards, including the M-Audio Axiom to which I gave the nod in … Continue →

Ableton Adds Lion Support, Better MIDI Sync; For Some Music, Watch Nicolas Jaar Play Live

Ableton this week has released 8.2.5; it’s worth mentioning here primarily as it adds Lion support on Mac OS. I still strongly recommend against upgrading to 10.7 for the time being, until you’ve verified that your particular mix of plug-ins and hardware is also compatible, but it’s a promising sign. Other improvements are also worth … Continue →

In Videos, a Battle of Controllers and Live Electronic Performance

In a competitive show of virtuosity, artists at an event in San Francisco over the summer battled to show that live electronic and laptop performance can be physical. It’s dance music that makes the artist sweat, and not just the audience. Hosted by the new Controllerism.com blog with San Francisco’s LoveTech and Slayer’s Club communities, … Continue →

Eye, Ear, Body Candy: The Pulsing, Geometric AV Worlds of numbercult

Sometimes, to quote Depeche Mode, words are very unnecessary. Instead, lose yourself for a few minutes in the vibrating mathemagical lands of numbercult, audiovisual immersions in which sound and geometry fuse in a strange, abstract dance. Their most recent creation, found via Richard Devine’s prolific Facebook wall and posted earlier this summer, explores an actual … Continue →

Snapshots of Artists, Ableton Live in Performance: Cosmo D on Cello, Erin Barra with Voice + Keys

Cosmo D, in for a demonstration of cello with Ableton. The computer as bandmate is nothing new. It’s just more stable, more powerful, and friendlier than it has been ever before — and that, coupled with growing familiarity, has been making it more commonplace with artists. So just how are artists working with computers onstage … Continue →